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1 Ocak 2014 Çarşamba

Quincy Jones talks about his life after receiving the Montblanc de la Culture Arts Patronage Award.

WEST HOLLYWOOD, Calif. — When Quincy Jones was a child growing up in Chicago and Seattle, he wanted to be a gangster. Instead, he settled for being one of the most influential and accomplished persons in the entertainment industry.

Jones—the famed record producer, conductor, arranger, film composer, television producer and trumpeter—was honored Tuesday, not for his five decades of spectacular accomplishments in music, television and film, but for his commitment to develop the talent of young musicians as well as preserving and maintaining the heritage of African-American music. This includes working with or contributing to the National Black Arts Festival, the Quincy Jones Listen Up Foundation and the Jazz Foundation of America.

The 79-year-old legend received the Montblanc de la Culture Arts Patronage Award during an outside reception at the garden of Chateau Marmont on a clear, crisp night with some of Hollywood’s best-known names, including Sir Sidney Poitier, Morgan Freeman, Terri Hatcher, Billy Zane and Jones’ daughter Rashida Jones. The luxury brand based in Hamburg has a long history of supporting arts and culture throughout the world.

Jones received a $20,000 award, which he will donate to the Jazz Foundation of America and a special edition Montblanc Patron of the Art Limited Edition 2012 Joseph II writing instrument. Joseph II, Holy roman Emperor from 1765 to 1790, created scholarships for talented poor students and was also a great supporter of Wolfgang Mozart.

Jones, a Chicago native, after accepting the award, told the story of how his father worked as a carpenter for the “Jones Gang,” a notorious African-American gangster organization that was eventually taken down by Al Capone. The young Jones and his family found themselves on a Trailways bus headed for Seattle. He wanted to emulate the gang members he saw all the time. At the age of 11, the “baby gangster” and his “gang” broke into an armory building in Seattle that served as a recreation center where they ate the ice cream and lemon meringue pie. Then they started raiding the offices inside the building. It became a life-altering moment.

“We ate it all up (the ice cream and pie), had a pie fight and individually broke into all of these offices,” he said. “I break into one office which was a supervisor’s office and I see a Spinner piano. Eleven years old and I still wanted to be a baby gangster. I see that Spinner and I almost closed the door and something said ‘turn around idiot and go into that room.’ I walked over to that piano and the voice said ‘this is what you will do the rest of your life.’”

He spoke about facing and overcoming hardships. For example, the difficulty he had to become the first African-American film composer, which he thanked Poitier for helping to make possible, and the difficulties and rewards of taking “The Road Less Traveled.”

“Life is a struggle. It is and it’s suppose to be,” he said. “God gave us that struggle and we have the choice to make the negative parts of our life a problem in which we sit and worry about and get emotional about. Or a puzzle you can solve. Always try to make it into a puzzle that is solvable. It’s not something you give up on.”

On his early years as a jazz musician and composer, he said: “We didn’t care anything about money. We didn’t care about fame or none of that stuff. We just wanted to try and revolutionize music.

Jones’ longtime friends, Poitier and Freeman, both as well known for their eloquence in speech as for their accomplished acting careers, spoke on his behalf.

“When a remarkable honor is paid a friend I am gratified,” Poitier said. “But not nearly so much as in now when the friend is here, with us, in the healthy glow of his middle years to receive it, taste of it and walk away onto other challenges leaving behind this unique reminder of victories won, risks taken, choices made…. My friend. I am sure you will go on to even greater things yet.”

Freeman then took the stage. “When I was thinking about tonight I was trying to think of the exact moment I met (Jones) but I couldn’t. It seems like he has always been a part of my life. That’s because when you meet someone you admire so much. When you spend time with someone who has accomplished and is accomplishing so much. When you are a friends of someone whose talent is as big as his heart, the connection is timeless.”

Freeman also paid Montblanc a note of recognition: “Normally I would write a few notes about what I wanted to say on my iPad. But in honor of this event I wrote them down using my Montblanc pen.”

Rasheeda Jones provided her unique insight when introducing him for the award.

“My father is the perfect recipient of Montblanc’s culture arts patronage award, not just because of his unbelievable contribution to the arts and his commitment to supporting young artists, but it’s because he lives his life so artfully. He wakes up every morning with inspiration and curiosity. He writes his own daily symphony of travel and career endeavors, and friendship and laughter and humanitarian efforts. He relentlessly fine tunes his craft by continuing to learn from others he admires. By staying present. He could easily rest on his laurels and collect awards but he doesn’t. He strives to know more, see more, say more and do more everyday. That to me is a true nature of an artist.

This award is given each year to individuals in 12 countries who have a long history of giving their time and their talents to supporting the arts and art projects. Jan-Patrick Schmitz, Montblanc North America CEO and president, stressed in an interview earlier in the day that the award is for people who have made a difference in the lives of others through arts and culture.

“Quincy Jones is a living legend but that is not why he is receiving the award. What he is recognized for tonight is his patronage for the arts,” he said. “He has been very supportive of the arts, in particular, trying to help children break the cycle of poverty through creativity, education for music and academic achievement.”

World-renowned classical pianist Lang Lang, chairman of the Montblanc Cultural Foundation, was in attendance and performed a special piece for Jones by Franz Liszt titled, “Dedication.”

3 Aralık 2013 Salı

Sanford I. Weill accepting Montblanc de la Culture Arts Patronage Award.

Sanford I. Weill has amassed a fortune by buying a small business and through a series of acquisitions turned it into the world’s largest company. 

The former CEO and chairman of Citigroup has been praised and vilified as the person most responsible for the “shattering” of the Glass–Steagall Act (which separated banking and insurance businesses and limited the investing risk banks could take), creating the modern financial services industry.

On Monday, Weill was being honored not because of his business success but because of his longtime philanthropy. Among the organizations that have benefited from his and wife’s Joan’s financial and personal commitment are the Academy of Finance, a joint program with the New York City Board of Education that trains high school students for careers in financial services, and Carnegie Hall, where he serves as board chairman. 

Sanford Weill in center holding his award. From left: Jan-Patrick Schmitz, Montblanc North America CEO and president, Lang Lang, Clive Gillinson, Carnegie Hall executive and artistic director, and Lutz Bethge, vice chairman of the Montblanc Cultural Foundation.

The 80-year-old businessman and philanthropist received the Montblanc de la Culture Arts Patronage Award during an intimate lunch at Per Se New York. In a soft voice, he explained why it is up to those who have had success in business to take a leadership role in supporting arts and education. 

“As we think about the world we live in most of the governments that we know of, certainly in the developing world, don’t have much money,” he said. “What we really count on for education, culture or art, and healthcare is really not the place we can look at anymore. We’re going to have to think about how we create more public-private partnerships.” 

Even though Weill has given hundreds of millions of dollars to various causes, he said it takes more than money to make a good philanthropist. 

“Philanthropy is not just about giving money because people can give money to just solve their conscience but it’s also about having passion for something, giving your intelligence. What makes you successful in the private sector is also going to make you successful in the public sector. People shouldn’t say I’m busy, the company’s growing. I don’t have the time to do this.”

He added, “It really is better to give than to receive and when you give, you receive so much more.”

Weill was presented with a 15,000 euro cash award and a “Patron of Art Edition 2013 Ludovico Sforza, Duke of Milan” writing instrument (one of 12), commemorating the life and influence of Sforza, one of the most prominent patrons of the Italian Renaissance and a great supporter of Leonardo Da Vinci.

Gold Patron of Art Edition 2013 Ludovico Sforza, Duke of Milan Limited Edition 888.

The public will have the opportunity of purchasing two editions of this writing instrument: a gold model limited to 888 units and a silver model limited to 4,810 units.

Silver Patron of Art Edition 2013
Ludovico Sforza,  Duke of Milan
Limited Edition 4810.
Cylindrical towers on the cap and clip design were taken from the Castello Sforzesco in Milan, home to the ducal dynasty. The writing instrument’s fittings replicate the pattern Da Vinci, used in his fresco in the “Sala delle Asse” (“Chamber of Boards”) as well as in the Mona Lisa’s robes and ornaments. The initials engraved on the cap’s ring originate from a silver coin issued in honor of Sforza during the Milanese Renaissance. 

The gold model is offset with a blue lacquered cap and barrel. The silver edition is in black lacquer.

Prior to the luncheon ceremony, Lutz Bethge, vice chairman of the Montblanc Cultural Foundation, explained that the patron of the arts awards, in its 22nd year, honors historical and modern persons who have a long history of giving their time and talents to supporting the arts and art projects. Each year an historical figure is chosen as the inspiration behind a limited-edition writing instrument. Then a modern-day patron of the arts chosen each year in 12 countries is presented with that pen, cash awards and the recognition that will hopefully inspire others to do the same. To bring the program to a larger audience, the brand made the same writing instrument available for sale in limited editions. In fact, Bethge said the popularity of this program spawned Montblanc’s highly-successful limited-edition business. 

“It was almost by chance and it is because of this award,” he said inside Montblanc’s new boutique at 600 Madison Ave.

While the award has been given to a broad group of people, Bethge and Jan-Patrick Schmitz, Montblanc North America CEO and president, did say that it is unusual to present such an award to someone from the financial services industry. However, Weill’s financial and personal contributions are part of a long history of patronage to the arts from royalty to today’s business leaders. 

“(In choosing Weill) we wanted to tell the story that the arts need patronage to flourish,” Bethge said. “This is a patronage award for arts and culture.” 

In addition, Weill’s commitment to education (as well as arts) is in line with the cultural commitment of Montblanc as a company that sells writing instruments, one of the most basic tools used for human communication. 

“Our mark is on the writing culture,” Bethge said. “It is the most important thing of mankind.”

Bethge and Schmitz explained in great detail that in each country there are juries that select nominees and then all of the juries together select the winner in each country. However, there is also a personal connection between the man and the brand: Lang Lang. 

Lang Lang performs for Sanford Weill.

The 31-year-old concert pianist is the chairman of the Montblanc Cultural Foundation. He has also known Weill since he was 17 years old and considers him a mentor as well as friend. Weill serves as director of the Lang Lang International Music Foundation.

The affection between the two was obvious throughout the event. Lang Lang gave him a big bear hug, something that Weill says he has been the recipient of throughout their 14-year relationship. He played three short compositions in Weill’s honor.

“Without you it would be a very different world,” Lang Lang said. “You really make our world better and because of you we have the confidence to shape our own world.” 

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